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I have mentioned in my bio that a lot of my work is like automatic writing, but did you know that automatic drawing, a technique I use to access a lot of my visual imagery, was first developed by the surrealists? Automatic drawing was introduced by Andre Masson, but Miro, Dali, Jean Arp, and Andre Breton also indulged. Even Picasso got into the act in his later years. Many of Miro's paintings began as automatic drawings and were converted into paintings.

And like the surrealists, I use the illusionistic approach. By this I mean that I let lines move until they suggest something representational to me, then I develop the work based upon these 'suggestions.' Sometimes they suggest nothing representational. These remain pure abstractions.

You can put 'automatic drawing' into a search-engine and find out a lot more about this genre-style if you like. I find that you can develop a better understanding of where art is heading if you know where it's been. I found out a lot I didn't know and I'd been a practitioner for years. :)

The gel pen is relatively new to us. I'm thinking its been prevalent for around a decade plus now. It makes an ideal drawing medium as it is acid-free and extremely fade-resistant. Tests have been made under extreme heat-light conditions and it was unclear whether the ink changed or the paper deterioated. But the average estimate by testers is that it will last at least 100 years without noticeable fading.

I use gel pens exclusively now and have since the late nineties. I like the way I can achieve a layered look without a lot of effort. But not all gel pens are created equal. Some of them dry out quickly or the medium bunches up at the tip. Two pens I bought less than a month ago have had their balls disintegrate already. And cost per pen is no indicator of either longevity or worth as a drawing instrument.

So buying a gel pen is a lot like buying a good paintbrush---when you find a good one, you hate it when it wears out. :)

Now that I've gone "Premium," I am in the process of sub-catagorizing images as well as perusing my portfolios for suitable and, hopefully, entertaining pieces to upload.

I don't usually do 'requests' because of the nature of my creative process, but I hope that my work 'as is' will find a receptive audience. I like the fact that people from all over the globe will have an opportunity to see work that would, for the most part, languish in closeted portfolios if not for this venue.

Please feel free to e-mail me if you are interested in chatting about art or if you feel you have comments that are too long or might be deemed inappropriate for public viewing. I am attempting to break free of my usually reclusive nature and I find that an exchange of ideas, if literate and heartfelt, is a solid and welcome stepping stone to that end. ;) --Charles